. Judith Weir was appointed Master of The Queen's Music, in succession to Sir Peter Maxwell Davies, in July 2014; and in January 2015 became Associate Composer . SELECTED WORKS BY shows" JUDITH WEIR "Weir is a creature of the theatre and it FINANCIAL TIMES. In recent years, Judith Weir has considerably expanded her choral catalogue, with regular performance by choirs worldwide of music such as her Christmas carolIlluminare, Jerusalemwritten for Stephen Cleobury and the choir of Kings College Cambridge. Kosta Popovic Judith Weir Interview - CompositionToday.Com By combining The Telephone and Miss Fortune, director Martin Lloyd-Evans and designer Anna Reid wished to explore aspects of the isolating effects of modern urban life. In places, where the orchestral score was particularly busy, some of the singing felt forced, with students pushing their voices beyond reasonable limits. After this she spent several years working in schools and adult education in rural southern England; followed by a period based in Scotland, teaching at Glasgow University and the Royal Conservatoire of Scotland. Miss Fortune Opera on Vimeo Most hurtle down the chute at once, all limbs flailing, and plunge straight into the wheelie bin of oblivion. Intimate reinvention: Guildhall School of Music & Drama reassesses Judith Weir's Miss Fortune in a double bill with Giancarlo Menotti's The Telephone, directed by Martin Lloyd-Evans, conducted by. Miss Fortune Operas. [11] In 2023, Weir was announced as one of the composers who would each create a brand new piece for the Coronation of Charles III and Camilla. Last month, as we reconvened in London to rehearse for this week's UK debut, conductor Paul Daniel considered the problems. Our privacy policy was last updated on Friday 31 January 2020, Reviewed at Royal Opera House, Covent Garden, London on 12 March 2012. If any does survive, before its next airing it is certain to have been cut, tweaked, titivated or subjected to bold surgery preferably by the composer, for whom performance is the only great lesson in revealing a work's weaknesses. As associate composer with the BBC Singers (2015-19) she completed two oratorios; In the Land of Uz, about the prophet Job; and blue hills beyond blue hills, to Zen-influenced verse by the Scottish poet Alan Spence. Shana Moron-Caravel ABOVE: GSMD, Miss Fortune (c) Helen Murray, Copyright All rights reserved | Theme by, Mixed performances in Menotti and Weir from the Guildhall School of Music & Drama. If you dont harbour too many expectations of a thought-provoking story, its worth going to see for the staging alone. The Vanishing Bridegroom and Miss Fortune. What drew you to composition? Sad to say but Judith Weirs sixth opera is an embarrassment. Judith Weir. Commissioned byBregenzFestival and the RoyalOperaHouse and premiered in 2011,Miss Fortuneis a contemporary re-telling of a Sicilian folk story. Plan your journey and find more route information in Your Visit or book your car parking space in advance. From 1995 to 2000, she was Artistic Director of the Spitalfields Festival in London. Miss Fortune, Royal Opera | The Arts Desk The once-rich little heroine, dogged by cruel Fate, becomes a low-wage earner cue sweatshops, ironing boards, an imploding fast-food van. MISS FORTUNE is a contemporary re-telling of a Sicilian folk story. . Weir was appointed a Commander of the Order of the British Empire (CBE) in the 1995 Birthday Honours for services to music. In 2005 her opera Armida, an opera for television, was premiered on Channel Four in the United Kingdom). I cannot find much to redeem Miss Fortune in its current form. See the CVs for Guildhall School Final Year Production Arts students. The work was made in co-operation with Margaret Williams. . Miss Fortune is Birtish composer Judith Weir's first operatic composisition in the last 17 years. Miss Fortune in name and deed. Bass clarinet The gap between failure and success in the theatre can be as narrow as a hair's breadth. [16], The first public performance of Weir's arrangement of "God Save the Queen" was performed at the reburial of King Richard III at Leicester Cathedral on 26 March 2015. Beat Erro Dez, Horn Malena Benavent [15] Weir's commissioned works most notably include woman.life.song (2000) for Jessye Norman and We are Shadows (1999) for Simon Rattle. The clarity of the costume design made the characters instantly knowable, too: a stroppy teenager, a lady from a launderette, a positive-thinking businessman these types look the same anywhere. Urban dystopia: Guildhall School's double bill of Judith Weir's Miss Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in, Find your bookmarks in your Independent Premium section, under my profile. In July 2014 Judith Weir was appointed to the 395-year old royal post of Master of the Queen's Music, in succession to Sir Peter Maxwell Davies. For Barbican performances, enter through the mainBarbican Centre entrance in Silk Street. 7 Bayerisches Staatsorchester/Petrenko, NOTES FROM LOCKDOWN: Nigel Lilley in Conversation, GRAMOPHONE Review: Mahler Symphony No. Judith Weir is a Honorary Patron for Sound and Music. Chester Music #MUSCH61126. Alan Ewing as Lord Fortune, Emma Bell as Tina and Kathryn Harries as Lady Fortune in the Royal Opera's production of Judith Weir's Miss Fortune. She is the composer of several operas (written for Kent Opera, Scottish Opera, ENO and Bregenz) which have been widely performed. Next year, George Benjamin's commission Written on Skin will enter the fray and Harrison Birtwistle's The Minotaur a tale of loneliness with a furious but poetic score which was unquestionably a success is revived. But I personally have been feeling thoroughly revived after GSMD's energy-giving version of my 2011 opera "Miss Fortune" which opened at the beginning of March. BBC Philharmonic/David, GRAMOPHONE Review: Shostakovich Symphony No 10, Mahler Symphony No 10 Hong Kong Philharmonic Orchestra/van Zweden, GRAMOPHONE Review: Mahler Symphony No. Georgia Lloyd* Both portrayals were wonderfully convincing musically and dramatically, each singer having an easy stage presence and voices that hold the ear with roundness of tone and crystal-clear diction. Called Miss Fortune, the story is about money, fate and fortune. WEI. Based on a Sicilian folk tale, Miss Fortune has some of the elliptical angularity of Weir's successful A Night at the Chinese Opera (1987). So, turning convention on its head, weve a fatalistic riches-to-rags tale transposed from a Sicilian original and relocated in time and place to take account of the financial ills and social unrest of the here and now. Judith Weir's Miss Fortune is an entertaining night out. Florian Panzieri as the kebab seller Hassan impressed with his clear tenor and mezzo-soprano Laura Fleur as Donna brought verisimilitude to her scenes at the laundrette. What a waste of talent and resources. Judith Weir "Miss Fortune", Royal Opera House - Edward Seckerson The work should not have been put on the Royal Opera House stage without rigorous overhaul, especially in a staging so crassly bare and wide open that the voices were left stranded, good singers reduced to reedy insubstantiality, the slim drama robbed of focus. Judith Weir Judith Weir was born into a Scottish family in 1954, but grew up near London. For Rap read rhyming couplets. She studied with . The upper floor of The Telephones split staging neatly morphed into Miss Fortunes roof top balcony where Harrison and Holyland made their mark as the nouveau riche parents of Tina. She went on to Cambridge University, where her composition teacher was Robin Holloway; and in 1975 attended summer school at Tanglewood, where she worked with Gunther Schuller. Judith Weir is a Honorary Patron for Sound and Music. Judith Weir's music is published by Chester Music and Novello & Co. Two outstanding performances by young singers light up a splendidly crafted revival of Caurier and Leiser's colourful production. Alaric Green Judith Weir | NMC Albery's production allows the opera to speak for itself, although sluggish pacing in the pit detract from the musical merits of this revival. My reworking begins with a financial crash and ends with an unlikely lottery win yet I didn't set out to write a piece about contemporary events. Composer Judith Weir tells the story to her latest opera Miss Fortune at a recent Insights event at the Royal Opera House. So, turning convention on its head, weve a fatalistic riches-to-rags tale transposed from a Sicilian original and relocated in time and place to take account of the financial ills and social unrest of the here and now. Years ago, I read an Italian folk tale about a princess who, when her parents lose their money, is forced to live in poverty and make a living: weaving cloth, minding a wine store, washing clothes. Paul's Episcopal Church, Burlingame, CaliforniaThe Tree of Peace is by the contemporary English composer Judi. Miss Fortune is a reinvention of a Sicilian folk tale in which the comfortable life of Tina (Erin Gwyn Rossington), the wealthy daughter of Lord and Lady Fortune (Jacob Harrison and Amy Holyland), nosedives after a financial catastrophe. It will help us make your newsletter content more useful. Her music often draws on sources from medieval history, as well as the traditional stories and music of her parents' homeland, Scotland. Donna, proprietor of a laundry Laura Fleur (28 Feb & 4 Mar), Amy Holyland (2 & 7 Mar) Judith Weir's most recent major work is her opera Miss Fortune, which received its first performances on July 21, 2011 at the Bregenz Festival, directed by Chen Shi-Zheng and designed by Tom Pye. Judith Weir, Miss Fortune, Royal Opera, 12 March 2012 (British premiere) A member of Soul Mavericks Images: Royal Opera/Bill Cooper: Royal Opera House. This is a past event. By the end of the act, I was finding it all rather wearing, and theres little in the way of flowing vocal lines to lift the heart. Holly Woods A full list of Production Arts teaching staff and technicians can be found on our website. Based on a Sicilian folk tale, Miss Fortune has some of the elliptical angularity of Weir's successful A Night at the Chinese Opera (1987). He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. And the greatest irony of all Miss Fortune wins the lottery. Photograph: Tristram Kenton for the Guardian. [4] She received the Lincoln Center's Stoeger Prize in 1997, the South Bank Show music award in 2001 and the Incorporated Society of Musicians' Distinguished Musician Award in 2010. By contrast, the premiere production (as often happens) seemed to be aiming at a left-field reimagining of a piece which no-one had yet seen. Despite the layoff since summer, the staging soon exuded a dance-like motion we hadn't seen before. Last edited on 20 February 2023, at 10:43, Commander of the Order of the British Empire, Honorary Fellow of the Royal Society of Edinburgh, "Queen's new composer Judith Weir hails 'boss', "The wonderful Judith Weir With a Barbican weekend devoted to her music, the composer Judith Weir is being feted as never before", "Queen had 'immensely detailed knowledge' of music, says royal composer", "Judith Weir to be appointed first female master of Queen's music", "News Judith Weir appointed Master of the Queen's Music Music Sales Classical", "Judith Weir: the female music master with royal seal of approval", "The Ivors 2015 Winners, Ivor Novello Awards, Judith Weir", "Ms Judith Weir HonFRSE The Royal Society of Edinburgh", "Andrew Lloyd Webber piece among new coronation music", "Judith Weir Armida (2005) Music Sales Classical", "Musical Work rises from the concrete Barbican", "The State Funeral and Committal Service for Her Majesty The Queen", "The Black Spider review Weir's opera is ghastly gothic treat", https://genome.ch.bbc.co.uk/search/0/20?q=judith+weir+scipio%27s+dream#top, "A ringing coda: the music at the Queen's funeral was both solemn and sublime", Judith Weir on the British Music Collection, https://en.wikipedia.org/w/index.php?title=Judith_Weir&oldid=1140504219, The Prelude (20182019, flute, violin, viola, cello), This page was last edited on 20 February 2023, at 10:43. Violin I Judith Weir Wiki - everipedia.org Judith Weir's Miss Fortune at Covent Garden | Bachtrack Judith Weir CBE (born 1954) is a British composer and the first female Master of the Queen's Music. In 1987, her first half-length opera, A Night at the Chinese Opera, was premiered at Kent Opera. Judith Weir Photos and Premium High Res Pictures - Getty Images Cludia Costa Gonalves, Ensembles, Programming & Instrument Manager As far as one could tell, Paul Daniel conducted a good performance. Interview by Sad because Weirs folk inspired fables have won many friends, sad because she is a composerly composer whose luminous orchestral backdrops and singable vocal lines display an honest talent that never hides behind overworked technique. Popularly known as the Musician of United Kingdom. Tina (Miss Fortune) - Emma Bell. What doesnt change, at least in the 53 minute first act, is her accenting: the music is continually using devices to ratchet up the tension - chromatics, diminished and augmented chords. She has subsequently written one more "micro-opera", three full-length operas, and an opera for television. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. Stamatia Tsaroucha King Harald's Saga, Grand opera in three acts for unaccompanied solo soprano singing eight rles (based on the saga 'Heimskringla' by Snorri Sturlson, 1179-1241) is a monodrama by Judith Weir, commissioned by Jane Manning and premiered on 17 May 1979. Benedict Swindells* In the title role, Emma Bell does an admirable job of wrapping her voice around it all, without the audience ever getting a melody or a mood to remember. Each time her luck seems to take a turn for the better, she is beset by another misfortune until eventually, through a magical stroke of luck, she gains the hand of a prince, in town to collect his laundry. Susan Jane Matthews, organ1929 Skinner OrganSt. Secondly and crucially, Weir turns Fate into a very real and live person. Applying that usage, it has had many "adventures" over the years and the discard pile is high. Commissioned by the Bregenz Festival and the Royal Opera House, Covent Garden. LIVE REVIEW: Miss Fortune by Judith Weir, Royal Opera House Public transport The language needs sharpening to show us that this is satire. Above all, I felt justified in having written the opera in the first place. . Silk Street Theatre, Guildhall School of Music & Drama, London; Monday 28th February 2022. In 2014-15 there were releases of The Vanishing Bridegroom (NMC) and Storm (BBC Singers/Signum). Judith Weir at 70 by ScoresOnDemand - Issuu Join thought-provoking conversations, follow other Independent readers and see their replies. Tell us a little about the opera. Miss Fortune - Wikipedia In a stunning setting and scenery to rival these beautiful surroundings, Miss Fortune, the work of British composer Judith Weir, retraces the twisted steps of its bewildered female protagonist. But this time round, it seemed even more relevant than to pay onstage attention to this subject. The orchestral music also seemed much bolder and more colourful under Dominic Wheeler's direction, and in the hands of GSMD's vivid student orchestra. In London, the tricky proposition of portraying a chaotic cloud has been undertaken by Soul Mavericks, breakdancers with an amazing ability to perform hundreds of complex patterns, often in mid-air.
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